BEE CREATIVE WITH SEIJAS
  • Home
  • PHOTO 1
    • INFO >
      • SYLLABUS
    • DIGITAL ASSIGNMENTS >
      • SCAVENGER HUNT
      • Life in my Neighborhood
      • COLOR
      • PHOTOGRAPHY BUSINESS POWERPOINT
      • ANGLES
      • Nature Photography & Painting
      • POST PROCESSING
      • FORCED PERSPECTIVE
      • EXTREME CLOSEUP
      • PINHOLE PHOTOGRAPHY - THE DIGITAL VERSION...
      • FRAMING
    • DARKROOM ASSIGNMENTS >
      • PINHOLE NEGATIVE/POSITIVE
      • PHOTOGRAMS
      • SUNPRINTS
    • PHOTOSHOP ASSIGNMENTS >
      • DIGITAL POP ART
      • DIGITAL PHOTOGRAMS
      • RETOUCH OLD PHOTO
    • CLASS NOTES >
      • COMPOSITION GUIDELINES & TECHNIQUES
      • HISTORY OF PHOTOGRAPHY
      • CAMERA OBSCURA
      • THE DARKROOM
      • DEPTH OF FIELD
      • 35mm FILM CAMERA
      • DEVELOPING YOUR FILM
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 2
    • INFO >
      • SYLLABUS + CONTRACT
    • FILM ASSIGNMENTS >
      • LINES/SHAPES ROLL
      • NATURAL LIGHT ROLL
      • EMPHASIS/FRAMING ROLL
      • SPACE/PERSPECTIVE ROLL
      • TEXTURE/ABSTRACT ROLL
      • PANORAMIC
    • DIGITAL ASSIGNMENTS >
      • PHOTOS THAT INSPIRE YOU
      • REFLECTIONS
      • SIGNS WITH WORDS
      • IN THE STYLE OF......
      • TRIPTYCH - DIGITAL
      • TOUCH SERIES.... DIGITAL
    • PHOTOSHOP ASSIGNMENTS >
      • SELF PORTRAIT BLENDED WITH YOUR CHOICE OF IMAGERY
      • BARBARA KRUGER - PHOTOSHOP
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 3
    • INFO >
      • SYLLABUS + CONTRACT
      • SUPPLIES
    • ASSIGNMENTS >
      • STUDIO LIGHTS
      • Composing: Creating an Abstract or Geometric Composition
      • EMPHASIS ON COLOR THEORY
      • MANDALA
      • Formal and Informal Portraits
      • CUBIST PORTRAITS
      • DESIGNING IN B&W
      • NATURAL LIGHTING
      • COMPOSITION - SCAVENGER HUNT
      • STREET PHOTOGRAPHY
      • HDR Landscapes
      • NIGHT
      • RHYTHM & REPETITION
      • PATTERNS & RHYTHM WITH LIGHT
      • STUDIO PORTRAITURE
      • Composing: Creating an Abstract or Geometric Composition
      • PHOTOGRAM - MEMOIRS - THE DIGITAL VERSION
    • PORTFOLIO
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • AP 2D ART + DESIGN
    • INFO >
      • SYLLABUS + CONTRACT
      • SUPPLIES
      • AP INFO >
        • ABOUT THE COURSE + PORTFOLIO
        • TERMINOLOGY
        • EXAM REQUIREMENTS, PROMPTS & STRUCTURE
        • COURSE SKILLS
        • SUBMITTING ARTWORK
        • SCORING
        • AP Course Resources
    • SUMMER PROJECT
    • SUSTAINED INVESTIGATION
    • ELEMENTS + PRINCIPLES
    • STUDIO LIGHTS
    • ASSIGNMENTS >
      • DESIGNING IN B&W
      • COLOR THEORY
      • TRIPTYCH
      • SUSTAINED INVESTIGATION #1
      • SUSTAINED INVESTIGATION #2
      • SUSTAINED INVESTIGATION #3
      • SUSTAINED INVESTIGATION #4
      • SUSTAINED INVESTIGATION #5
      • SUSTAINED INVESTIGATION #6
      • SUSTAINED INVESTIGATION #7
      • SUSTAINED INVESTIGATION #8
      • SUSTAINED INVESTIGATION #9
      • SUSTAINED INVESTIGATION #10
      • ABSTRACT & GEOMETRIC COMPOSITION
      • STUDIO PORTRAITURE
      • TEXTURES & ABSTRACTIONS FROM THE...
    • WEBSITE PORTFOLIO
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • Contact

100 PHOTOGRAPHERS YOU SHOULD KNOW​

1. Abelardo Morell
2. Alexander Gardner
3. Alexander Rodchenko
4. Alfred Eisenstaedt
5. Alfred Stieglitz
6. André Kertész
7. Annie Leibovitz
8. Ansel Adams
9. Arnold Newman
10. August Sander
11. Barbara Krueger
12. Barbara Morgan
13. Berenice Abbott
14. Bill Brandt
15. Brassaï
16. Chuck Close
17. Cindy Sherman
18. Clarence John Laughlin
19. Clarence White
20. Daguerre
21. David Hockney
22. Diane Arbus
23. Dorothea Lange
24. Duane Michals
25. E.J. Bellocq

26. Eadweard Muybridge
27. Edward Steichen
28. Edward Weston
29. Emmet Gowin
30. Eugène Atget
31. Flor Garduño
32. Frank Meadow Sutcliffe
33. Gary Winogrand
34. Gertrude Käsebier
35. Gordon Parks
36. Harry Callahan
37. Helen Levitt
38. Henri Cartier-Bresson
39. Henry Peach Robinson
40. Hill and Adamson
41. Hippolyte Bayard
42. Imogen Cunningham
43. Irving Penn
44. Jacob August Riis
45. Jacob Riis
46. Jacques Henri Lartigue
47. Jan Groover
48. Jerry Uelsman
49. Jock Sturges
50. Josef Koudelka
51. Josef Sudek
52. Joseph Nicéphore Niépce
53. Joyce Neimanas
54. Julia Margaret Cameron
55. László Moholy-Nagy
56. Lee Friedlander
57. Lewis W. Hine
58. Lisette Model
59. Lothar Wolleh
60. Man Ray
61. Manuel Alvarez Bravo
62. Marcel Du Camp
63. Margaret Bourke-White
64. Mathew B. Brady
65. Merce Cunningham
66. Michael Kenna
67. Minor White
68. Nadar
69. Nan Goldin
70. Nicholas Nixon
71. Oscar Rejlander
72. Paul Caponigro
73. Paul Strand
74. Peter Henry Emerson
75. Richard Avedon
76. Robert Adams
77. Robert Capa
78. Robert Doisneau
79. Robert Frank
80. Robert Mapplethorpe
81. Roger Fenton
82. Roy DeCarava
83. Russell Lee
84. Sally Mann
85. Sebastiao Salgado
86. Southworth and Hawes
87. Stephen Shore
88. Thomas Wedgwood
89. Timothy H. O’Sullivan
90. Tina Modotti
91. W. Eugene Smith
92. Walker Evans
93. Weegee (Arthur Fellig)
94. William Eggleston
95. William Henry Fox Talbot
96. William Henry Jackson
97. William Klein
98. William Wegman
99. Wynn Bullock
100. Yousuf Karsh

"Artist as Mentor" RESEARCH FORMAT

Write 1-page-long typed OR neatly handwritten report of at least 4 paragraphs in your sketchbook.

Do Not Cut & Paste From Website. Write Yourself From Info On Website. 

Use ONLY full sentences while answering as many of the following questions as possible:  Example: The name of my chosen photographer is ________ .

Paragraph #1- intro:
1)    What is the name of your chosen photographer?
2)    What country is he/she from?
3)    What are the titles of work/s you admire?
4)    Why did you choose that photographer? / Why do you like these photographs?

Paragraph #2-biography - summarize most important info about photographer's life:
1)    What year was your photographer born? If dead, what year did he/she die?
2)    If alive, how old is the photographer right now? If dead, how old would they be?
3)    Where does/ did your photographer live? What country, what state, what city? p
4)    How did they learn photography? (school, mentor with photographer, self-taught…)
5)    Do/did they work as a photographer as professionally as their only job? Or did they have another career as well? Or were they wealthy and didn’t need a job?

Paragraph #3 - photographs:
1)    (On “Masters-of-photography” home page, center, click purple link: “Photographer Summaries” to find this answer.) What are the main subjects that he/she photographs? (portraits, landscapes, objects, etc.)
2)    Describe in your own words your favorite photo of the two you chose by your "mentor" photographer and explain why you chose it.
3)    Is it a portrait, a landscape, an abstract, a nature study? Is it black-and-white, color? A close-up or far-away shot?
4)    What do you think the photographer wants you to think and/or feel when you look at the photo? What details (objects he or she chooses to include; lighting; viewing angle of the photographer when making the photo; etc. etc.) help to create that mood or feeling or idea?
5)    If you were to create a new title for that photo what would it be (something that would sum up what it’s about)?

Paragraph #4 - conclusion:
1)    Do a quotation search in Google: photographer’s name quotation and try to find an interesting quote by that photographer to start or end your conclusion with.
2)    What were his/her main accomplishments? How many books are published on them? List a few. How many museums, galleries collect or show their work? Name some.
3)    Is there a single story from their life that sums up the essence of the person?
Picture
Picture
Picture

LINKS TO GREAT SITES 

Getting The Most Out Of Your Modifiers

TECHNIQUES, COMPOSITIONS & MIXED MEDIA APPROACHES

PERCEPTION, CULTURE AND IDENTITY


THE GROWING POPULATION AND A FUTURISTIC NEW WORLD

A FANTASY THEME 
DOUBLE EXPOSURE

How to create a Double Exposure

Powered by Create your own unique website with customizable templates.
  • Home
  • PHOTO 1
    • INFO >
      • SYLLABUS
    • DIGITAL ASSIGNMENTS >
      • SCAVENGER HUNT
      • Life in my Neighborhood
      • COLOR
      • PHOTOGRAPHY BUSINESS POWERPOINT
      • ANGLES
      • Nature Photography & Painting
      • POST PROCESSING
      • FORCED PERSPECTIVE
      • EXTREME CLOSEUP
      • PINHOLE PHOTOGRAPHY - THE DIGITAL VERSION...
      • FRAMING
    • DARKROOM ASSIGNMENTS >
      • PINHOLE NEGATIVE/POSITIVE
      • PHOTOGRAMS
      • SUNPRINTS
    • PHOTOSHOP ASSIGNMENTS >
      • DIGITAL POP ART
      • DIGITAL PHOTOGRAMS
      • RETOUCH OLD PHOTO
    • CLASS NOTES >
      • COMPOSITION GUIDELINES & TECHNIQUES
      • HISTORY OF PHOTOGRAPHY
      • CAMERA OBSCURA
      • THE DARKROOM
      • DEPTH OF FIELD
      • 35mm FILM CAMERA
      • DEVELOPING YOUR FILM
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 2
    • INFO >
      • SYLLABUS + CONTRACT
    • FILM ASSIGNMENTS >
      • LINES/SHAPES ROLL
      • NATURAL LIGHT ROLL
      • EMPHASIS/FRAMING ROLL
      • SPACE/PERSPECTIVE ROLL
      • TEXTURE/ABSTRACT ROLL
      • PANORAMIC
    • DIGITAL ASSIGNMENTS >
      • PHOTOS THAT INSPIRE YOU
      • REFLECTIONS
      • SIGNS WITH WORDS
      • IN THE STYLE OF......
      • TRIPTYCH - DIGITAL
      • TOUCH SERIES.... DIGITAL
    • PHOTOSHOP ASSIGNMENTS >
      • SELF PORTRAIT BLENDED WITH YOUR CHOICE OF IMAGERY
      • BARBARA KRUGER - PHOTOSHOP
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 3
    • INFO >
      • SYLLABUS + CONTRACT
      • SUPPLIES
    • ASSIGNMENTS >
      • STUDIO LIGHTS
      • Composing: Creating an Abstract or Geometric Composition
      • EMPHASIS ON COLOR THEORY
      • MANDALA
      • Formal and Informal Portraits
      • CUBIST PORTRAITS
      • DESIGNING IN B&W
      • NATURAL LIGHTING
      • COMPOSITION - SCAVENGER HUNT
      • STREET PHOTOGRAPHY
      • HDR Landscapes
      • NIGHT
      • RHYTHM & REPETITION
      • PATTERNS & RHYTHM WITH LIGHT
      • STUDIO PORTRAITURE
      • Composing: Creating an Abstract or Geometric Composition
      • PHOTOGRAM - MEMOIRS - THE DIGITAL VERSION
    • PORTFOLIO
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • AP 2D ART + DESIGN
    • INFO >
      • SYLLABUS + CONTRACT
      • SUPPLIES
      • AP INFO >
        • ABOUT THE COURSE + PORTFOLIO
        • TERMINOLOGY
        • EXAM REQUIREMENTS, PROMPTS & STRUCTURE
        • COURSE SKILLS
        • SUBMITTING ARTWORK
        • SCORING
        • AP Course Resources
    • SUMMER PROJECT
    • SUSTAINED INVESTIGATION
    • ELEMENTS + PRINCIPLES
    • STUDIO LIGHTS
    • ASSIGNMENTS >
      • DESIGNING IN B&W
      • COLOR THEORY
      • TRIPTYCH
      • SUSTAINED INVESTIGATION #1
      • SUSTAINED INVESTIGATION #2
      • SUSTAINED INVESTIGATION #3
      • SUSTAINED INVESTIGATION #4
      • SUSTAINED INVESTIGATION #5
      • SUSTAINED INVESTIGATION #6
      • SUSTAINED INVESTIGATION #7
      • SUSTAINED INVESTIGATION #8
      • SUSTAINED INVESTIGATION #9
      • SUSTAINED INVESTIGATION #10
      • ABSTRACT & GEOMETRIC COMPOSITION
      • STUDIO PORTRAITURE
      • TEXTURES & ABSTRACTIONS FROM THE...
    • WEBSITE PORTFOLIO
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • Contact