BEE CREATIVE WITH SEIJAS
  • Home
  • PHOTO 1
    • INFO >
      • SYLLABUS
    • DIGITAL ASSIGNMENTS >
      • SCAVENGER HUNT
      • ANGLES
      • Friends and Family Portraits
      • FRAMING
      • Nature Photography & Painting
      • EXTREME CLOSEUP
      • COLOR
      • FORCED PERSPECTIVE
      • POST PROCESSING
      • Life in my Neighborhood
      • PHOTOGRAPHY BUSINESS POWERPOINT
      • PINHOLE PHOTOGRAPHY - THE DIGITAL VERSION...
    • DARKROOM ASSIGNMENTS >
      • PINHOLE NEGATIVE/POSITIVE
      • PHOTOGRAMS
      • SUNPRINTS
    • PHOTOSHOP ASSIGNMENTS >
      • DIGITAL POP ART
      • DIGITAL PHOTOGRAMS
      • RETOUCH OLD PHOTO
    • CLASS NOTES >
      • COMPOSITION GUIDELINES & TECHNIQUES
      • HISTORY OF PHOTOGRAPHY
      • CAMERA OBSCURA
      • 35mm FILM CAMERA
      • THE DARKROOM
      • DEPTH OF FIELD
      • DEVELOPING YOUR FILM
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 2
    • INFO >
      • SYLLABUS
    • FILM ASSIGNMENTS >
      • LINES/SHAPES ROLL
      • NATURAL LIGHT ROLL
      • EMPHASIS/FRAMING ROLL
      • SPACE/PERSPECTIVE ROLL
      • TEXTURE/ABSTRACT ROLL
      • PANORAMIC
    • DIGITAL ASSIGNMENTS >
      • PHOTOS THAT INSPIRE YOU
      • REFLECTIONS
      • SIGNS WITH WORDS
      • IN THE STYLE OF......
      • TRIPTYCH - DIGITAL
      • TOUCH SERIES.... DIGITAL
    • PHOTOSHOP ASSIGNMENTS >
      • SELF PORTRAIT BLENDED WITH YOUR CHOICE OF IMAGERY
      • BARBARA KRUGER - PHOTOSHOP
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 3
    • INFO >
      • SYLLABUS
      • SUPPLIES
    • CLASS NOTES
    • ASSIGNMENTS >
      • STUDIO LIGHTS
      • Composing: Creating an Abstract or Geometric Composition
      • Composing: Creating an Abstract or Geometric Composition
      • EMPHASIS ON COLOR THEORY
      • DESIGNING IN B&W
      • Formal and Informal Portraits
      • CUBIST PORTRAITS
      • NATURAL LIGHTING
      • COMPOSITION - SCAVENGER HUNT
      • STREET PHOTOGRAPHY
      • MANDALA
      • NIGHT
      • RHYTHM & REPETITION
      • PATTERNS & RHYTHM WITH LIGHT
      • STUDIO PORTRAITURE
      • PHOTOGRAM - MEMOIRS - THE DIGITAL VERSION
      • HDR Landscapes
      • PORTFOLIO
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • AP 2D ART + DESIGN
    • INFO >
      • SYLLABUS
      • SUPPLIES
      • AP INFO >
        • ABOUT THE COURSE + PORTFOLIO
        • TERMINOLOGY
        • EXAM REQUIREMENTS, PROMPTS & STRUCTURE
        • COURSE SKILLS
        • SUBMITTING ARTWORK
        • SCORING
        • AP Course Resources
    • SUMMER PROJECT
    • SUSTAINED INVESTIGATION
    • ELEMENTS + PRINCIPLES
    • STUDIO LIGHTS
    • ASSIGNMENTS >
      • DESIGNING IN B&W
      • COLOR THEORY
      • TRIPTYCH
      • SUSTAINED INVESTIGATION #1
      • SUSTAINED INVESTIGATION #2
      • SUSTAINED INVESTIGATION #3
      • SUSTAINED INVESTIGATION #4
      • SUSTAINED INVESTIGATION #5
      • SUSTAINED INVESTIGATION #6
      • SUSTAINED INVESTIGATION #7
      • SUSTAINED INVESTIGATION #8
      • SUSTAINED INVESTIGATION #9
      • SUSTAINED INVESTIGATION #10
      • ABSTRACT & GEOMETRIC COMPOSITION
      • STUDIO PORTRAITURE
      • TEXTURES & ABSTRACTIONS FROM THE...
    • WEBSITE PORTFOLIO
    • CLASS NOTES
    • HANDOUTS
    • VIDEOS
    • GALLERY
  • 3D ART 1
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS + ASSIGNMENTS >
      • Sketchbook Name Design
      • OPTICAL ART CUBES
      • Foil Relief
      • SGRAFFITO TILES
      • PINCH POT VESSELS
      • RELIEF TILES
      • EXPRESSIVE PLANTERS
      • ORIGAMI
      • PAPER QUILLING
      • CLAY STAMPS
  • 3D ART 2
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS + ASSIGNMENTS >
      • FIGURE SCULPTURES
      • PINCH POT PUMPKINS
      • SGRAFFITO PLATES
      • COIL BOWLS
      • MASKS
      • SLAB LANTERNS
      • ORIGAMI
  • 3D ART 3
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS >
      • PINCH POTS - MONSTERS…
      • CERAMIC AMPLIFIERS
      • CULTURAL DINNERWARE
      • HIDDEN LID BOXES
      • ABSTRACT SCULPTURE
      • CERAMIC BUST
      • ORIGAMI
  • Contact

MASKS

​OBJECTIVES:

  • Students will demonstrate their ability to sculpt a clay mask, incorporating basic ceramic techniques like slab building or coil construction, while researching and incorporating cultural or symbolic elements into their design, showcasing understanding of facial features and form through their creation. 
  • Students can identify different mask styles from various cultures, utilizing appropriate tools for shaping clay, and effectively decorating the mask with texture and color to convey meaning. 
  • Students will use ceramic vocabulary when referring to the process of shaping clay objects. 
  • Through observation, investigation and discipline, students will create an art object demonstrating the use of elements and principles of design.​

​WHAT TO DO:

Picture
IN YOUR SKETCHBOOK:
  • Research and create your design for your mask.
  • Must include:
    • Dimensions
    • Color Scheme
    • Design
    • Red or white clay
    • Submit to Schoology

CREATE YOUR FORM:​
  • Make soft/loose balls of newspaper to use as a hump mold.
  • ​Write your name and wrap in plastic wrap

CREATE YOUR MASK:​
  • Roll out your slab to 1/4″ – 3/8″ thick.
  • Lay your slab on your mold. Smooth out surface and shape it. Cut any excess clay.
  • Features can be sculpted in two different ways:
    • Solid features (like eyes) can be cut from scrap slab pieces leftover from making the “head” shape; or,
    • Linear features (like eyebrows) can be fashioned from rolled coils using scraps trimmed away earlier.
  • These techniques can be combined by slipping and scoring smaller shapes/coils onto larger features (like coil pupils scored onto a slab eye).
  • Break up the face features into simplified shapes. For example, nose becomes a triangle. 
  • Use a mirror, referencing each others’ faces, or looking at portraits as photo references.
  • Consider both the size and scale - will both eyes be the same size? Will they be larger or smaller than the nose? How will the nose relate to the mouth? Remember this is an abstract portrait and take creative freedom!
  • Arrange the loose features on the base “head” shape.
  • Once all features are in place, connect each feature one at a time to the base by slipping and scoring (scratching and attaching).
  • Smooth out any rough edges and visible scratches.
  • If you plan to hang the pieces afterwards, be sure to poke holes in the pieces prior to firing.

Picture

GLAZING:​

  • Once mask has been fired, clean the piece with a sponge.
  • Add color to the piece by brushing on Stroke & Coat® colors with a soft bristled brush. 2- 3 coats.
  • Option to create a wash to cover sections of the mask by adding 1 part water to 2 parts glaze and brushing on the color.
  • Wipe semi dried glaze away with a damp sponge to create an antiqued look.

STUDENT EXAMPLES:

​

VIDEO TUTORIALS:

​

MASKS FROM VARIOUS CULTURES

Powered by Create your own unique website with customizable templates.
  • Home
  • PHOTO 1
    • INFO >
      • SYLLABUS
    • DIGITAL ASSIGNMENTS >
      • SCAVENGER HUNT
      • ANGLES
      • Friends and Family Portraits
      • FRAMING
      • Nature Photography & Painting
      • EXTREME CLOSEUP
      • COLOR
      • FORCED PERSPECTIVE
      • POST PROCESSING
      • Life in my Neighborhood
      • PHOTOGRAPHY BUSINESS POWERPOINT
      • PINHOLE PHOTOGRAPHY - THE DIGITAL VERSION...
    • DARKROOM ASSIGNMENTS >
      • PINHOLE NEGATIVE/POSITIVE
      • PHOTOGRAMS
      • SUNPRINTS
    • PHOTOSHOP ASSIGNMENTS >
      • DIGITAL POP ART
      • DIGITAL PHOTOGRAMS
      • RETOUCH OLD PHOTO
    • CLASS NOTES >
      • COMPOSITION GUIDELINES & TECHNIQUES
      • HISTORY OF PHOTOGRAPHY
      • CAMERA OBSCURA
      • 35mm FILM CAMERA
      • THE DARKROOM
      • DEPTH OF FIELD
      • DEVELOPING YOUR FILM
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 2
    • INFO >
      • SYLLABUS
    • FILM ASSIGNMENTS >
      • LINES/SHAPES ROLL
      • NATURAL LIGHT ROLL
      • EMPHASIS/FRAMING ROLL
      • SPACE/PERSPECTIVE ROLL
      • TEXTURE/ABSTRACT ROLL
      • PANORAMIC
    • DIGITAL ASSIGNMENTS >
      • PHOTOS THAT INSPIRE YOU
      • REFLECTIONS
      • SIGNS WITH WORDS
      • IN THE STYLE OF......
      • TRIPTYCH - DIGITAL
      • TOUCH SERIES.... DIGITAL
    • PHOTOSHOP ASSIGNMENTS >
      • SELF PORTRAIT BLENDED WITH YOUR CHOICE OF IMAGERY
      • BARBARA KRUGER - PHOTOSHOP
    • CLASS NOTES
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • PHOTO 3
    • INFO >
      • SYLLABUS
      • SUPPLIES
    • CLASS NOTES
    • ASSIGNMENTS >
      • STUDIO LIGHTS
      • Composing: Creating an Abstract or Geometric Composition
      • Composing: Creating an Abstract or Geometric Composition
      • EMPHASIS ON COLOR THEORY
      • DESIGNING IN B&W
      • Formal and Informal Portraits
      • CUBIST PORTRAITS
      • NATURAL LIGHTING
      • COMPOSITION - SCAVENGER HUNT
      • STREET PHOTOGRAPHY
      • MANDALA
      • NIGHT
      • RHYTHM & REPETITION
      • PATTERNS & RHYTHM WITH LIGHT
      • STUDIO PORTRAITURE
      • PHOTOGRAM - MEMOIRS - THE DIGITAL VERSION
      • HDR Landscapes
      • PORTFOLIO
    • VIDEOS
    • HANDOUTS
    • GALLERY
  • AP 2D ART + DESIGN
    • INFO >
      • SYLLABUS
      • SUPPLIES
      • AP INFO >
        • ABOUT THE COURSE + PORTFOLIO
        • TERMINOLOGY
        • EXAM REQUIREMENTS, PROMPTS & STRUCTURE
        • COURSE SKILLS
        • SUBMITTING ARTWORK
        • SCORING
        • AP Course Resources
    • SUMMER PROJECT
    • SUSTAINED INVESTIGATION
    • ELEMENTS + PRINCIPLES
    • STUDIO LIGHTS
    • ASSIGNMENTS >
      • DESIGNING IN B&W
      • COLOR THEORY
      • TRIPTYCH
      • SUSTAINED INVESTIGATION #1
      • SUSTAINED INVESTIGATION #2
      • SUSTAINED INVESTIGATION #3
      • SUSTAINED INVESTIGATION #4
      • SUSTAINED INVESTIGATION #5
      • SUSTAINED INVESTIGATION #6
      • SUSTAINED INVESTIGATION #7
      • SUSTAINED INVESTIGATION #8
      • SUSTAINED INVESTIGATION #9
      • SUSTAINED INVESTIGATION #10
      • ABSTRACT & GEOMETRIC COMPOSITION
      • STUDIO PORTRAITURE
      • TEXTURES & ABSTRACTIONS FROM THE...
    • WEBSITE PORTFOLIO
    • CLASS NOTES
    • HANDOUTS
    • VIDEOS
    • GALLERY
  • 3D ART 1
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS + ASSIGNMENTS >
      • Sketchbook Name Design
      • OPTICAL ART CUBES
      • Foil Relief
      • SGRAFFITO TILES
      • PINCH POT VESSELS
      • RELIEF TILES
      • EXPRESSIVE PLANTERS
      • ORIGAMI
      • PAPER QUILLING
      • CLAY STAMPS
  • 3D ART 2
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS + ASSIGNMENTS >
      • FIGURE SCULPTURES
      • PINCH POT PUMPKINS
      • SGRAFFITO PLATES
      • COIL BOWLS
      • MASKS
      • SLAB LANTERNS
      • ORIGAMI
  • 3D ART 3
    • INFO >
      • SYLLABUS
      • ELEMENTS OF ART + PRINCIPLES OF DESIGN
    • STUDIO PROJECTS >
      • PINCH POTS - MONSTERS…
      • CERAMIC AMPLIFIERS
      • CULTURAL DINNERWARE
      • HIDDEN LID BOXES
      • ABSTRACT SCULPTURE
      • CERAMIC BUST
      • ORIGAMI
  • Contact